翻訳と辞書 Words near each other ・ Philip King (American football) ・ Philip King (Australian politician) ・ Philip King (barrister) ・ Philip King (historian) ・ Philip King (musician) ・ Philip King (playwright) ・ Philip King (priest) ・ Philip J. Fahy Memorial Bridge ・ Philip J. Finnegan ・ Philip J. Hanlon ・ Philip J. Ivanhoe ・ Philip J. K. James ・ Philip J. Kaplan ・ Philip J. Klass ・ Philip J. Landrigan ・ Philip J. Lang ・ Philip J. LeBeau ・ Philip J. Levin ・ Philip J. Lewis ・ Philip J. Miller ・ Philip J. Morrison ・ Philip J. Nel ・ Philip J. Pauly ・ Philip J. Philbin ・ Philip J. Prygoski ・ Philip J. Purcell ・ Philip J. Quigley ・ Philip J. Reny ・ Philip J. Rock ・ Philip J. Thomas Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Philip J. Lang ： ウィキペディア英語版 Philip J. Lang Philip J. Lang (17 April 1911, New York – 22 February 1986, Branford, Connecticut) was an American musical arranger, orchestrator and composer of band music, as well as a musical educator. He is credited for writing the orchestral arrangements (orchestrations) for over 50 Broadway theatre shows, including many landmark productions, such as ''Li'l Abner'' (1956), ''Hello, Dolly!'' (1964), ''Mame'' (1966), ''George M'' (1968), ''Annie'' (1977) and ''42nd Street'' (1980). Together with Robert Russell Bennett, he orchestrated the record-breaking productions of Lerner and Loewe's ''My Fair Lady'' (1956) and ''Camelot'' (1960).〔Obituary, ''The New York Times'', 25 February 1986.〕 The dean of musical orchestrators, Russell Bennett remarked that the original arrangements Lang had prepared for ''Annie Get Your Gun'' (1946), which utilized a modern technique of orchestral scoring, were beautifully done.〔Robert Russell Bennett (ed. George Joseph Ferencz), ''The Broadway Sound'', University of Rochester Press, 1998, p. 197.〕 ==Musical education== In 1933 Lang graduated from Ithaca College, which later awarded him an honorary doctorate for his career. He pursued further musical studies at Columbia University and the Juilliard School. By 1934 Lang had signed with the busy theatrical orchestration department at Chappell Music run by Max Dreyfus. There he was expected to be the principal orchestral arranger (orchestrator) for about five musical shows a year being produced on Broadway and also be expected to collaborate with his colleagues on shows assigned to them as needed. During the war years, Lang along with Robert Russell Bennett, Don Walker, and Ted Royal were recognized as the busiest orchestrators on Broadway.〔Steven Suskin, ''The Sound of Broadway Music,'' Oxford University Press, New York, 2009, pp. 7 & 15.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Philip J. Lang」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.